Junot Díaz's "Drown" : a subverted telemacheia for the late 20th century diasporic masculinity.

dc.contributor.advisor	Keppel, Timothy Anderson	spa
dc.contributor.author	Alarcón Rodríguez, Jorge Mario	spa
dc.date.accessioned	2019-08-15T16:14:53Z
dc.date.available	2019-08-15T16:14:53Z
dc.date.issued	2019-08-15
dc.description.abstract	This essay will explain how the narrative structure and scenarios of the first and final chapters of the Odyssey, or the Telemacheia, are a model for Diaz´s first work in ways less obvious than just the absence of a father in the household (albeit important) and his journey. The thematic emphasis of this monograph is not, however, on narrative techniques but on how the same journey towards male maturity leads very similar characters to two different destinations as the reflections of two very different contexts	spa
dc.identifier.uri	https://hdl.handle.net/10893/14048
dc.language.iso	eng	spa
dc.rights.accessrights	info:eu-repo/semantics/openAccess	spa
dc.subject	Escritores estadounidenses	spa
dc.subject	Análisis literario	spa
dc.subject	Estudios de género	spa
dc.subject	Díaz Junot	spa
dc.subject	Díaspora	spa
dc.title	Junot Díaz's "Drown" : a subverted telemacheia for the late 20th century diasporic masculinity.	spa
dc.type	Trabajo de grado - Pregrado	spa
dspace.entity.type	Publication

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